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FIELD OFFICE / KOREA

Field Notes / Korea

FN 01.01 / Production planning

Video production in Korea · Pre-production

Define every video deliverable before scheduling the shoot in Korea

A deliverables-first method for defining every edit, version, language, format, and approval before crew, locations, schedule, and cost are estimated.

Field note
FN 01.01
Phase
Pre-production
Published
Last updated
Reading time
9 min

What this note resolves

What must be defined about the deliverables before a video shoot in Korea can be scheduled and estimated?

Field conclusion

Do not schedule the production from the primary film alone. Define every required deliverable, version, format, language, and approval first. Then identify which outputs change filming, post-production, review time, or cost. A production is scheduled against every required deliverable.

Core definitions

Define the deliverables terms

Use these terms to build one complete production record.

Deliverable
A finished file or package the production is required to supply.
Version
A variation of a deliverable created for a particular language, platform, duration, framing, text state, audio requirement, or audience.
Delivery specification
The technical and organizational requirements the final file must meet, such as resolution, frame rate, codec, audio layout, captions, file naming, or delivery method.
Approval owner
The person authorized to approve the deliverable or provide consolidated final feedback.
Deliverables plan
A complete record of every required output, version, specification status, filming implication, review route, and approval owner.

Define each term once, then use it consistently.

Working method

Build the deliverables plan in six decisions

The schedule and budget are outputs of this record. They are not the place to discover missing deliverables.

01 List every deliverable
Record every primary film, cutdown, bumper, platform edit, language version, clean version, subtitle file, audio version, or other required output.
02 Define each version
Record the intended use, duration, frame or aspect ratio, language, text state, audio state, and any other distinction that changes the output.
03 Identify filming implications
Determine whether the output changes framing, action, camera coverage, eyelines, graphics space, clean coverage, sound, or contributor requirements.
04 Confirm the specification status
Record which technical requirements are confirmed and which must be referred to the client, platform, broadcaster, post team, or technical owner.
05 Assign review and approval
Name who consolidates feedback, who approves each deliverable, and when the approval must occur.
06 Set the scope status
Mark the deliverables plan ready, conditional, on hold, or incomplete before crew, locations, schedule, and cost are committed.

Observation

The incomplete brief

A brief may describe the primary film while leaving shorter edits, vertical versions, subtitles, translated text, clean elements, audio versions, and approval ownership unresolved.

Those omissions do not disappear. They return as additional filming requirements, post-production work, review rounds, schedule changes, or cost.1

Decision principle

Schedule every required deliverable

The production is not being planned against one completed film. It is being planned against every file, version, review, and handoff the team must complete.

A deliverable may change what must be filmed, how the frame is composed, which language or text elements are required, how much post-production work is needed, who approves the output, and when the production is complete.

A production is not scheduled against one film. It is scheduled against every required deliverable.1

Worked example 01

One primary film, six deliverables

This example shows how one primary film can expand into several separately specified, reviewed, and delivered files. The required outputs must be defined for the actual brief. These files share creative material, but they may require different framing, text treatment, language work, review, technical preparation, and delivery.

Illustrative reference configuration

Primary film
90 sec · 16:9
Korean subtitle version
90 sec · 16:9
Clean or textless version
90 sec · 16:9
Editorial cutdown
30 sec · 16:9
Vertical social edit
15 sec · 9:16
Campaign bumper
6 sec · 1:1
One creative concept may produce several deliverables with different formats, framing needs, language requirements, review routes, and delivery specifications.This is an illustrative Field Office worked example, not a standard deliverables package.3

Production impact

Confirm what changes filming

For each deliverable, decide whether the primary composition creates all required material or whether the shot plan must change.

Add a filming requirement when an output needs different framing, subject position, action, camera movement, eyelines, graphics space, clean or textless material, sound, or contributor preparation.

Record the decision before the crew, location, and schedule are estimated.14

What changes in Korea

Connect language work to the approval route

An international production in Korea may combine English-language client materials, Korean-language contributor coordination, subtitles, translated on-screen text, clean versions, and review across Korea, regional, and global teams.

For every language and version, record the source language, translation owner, subtitle or on-screen-text owner, person consolidating feedback, final approval owner, review deadline, and person applying the approved change.

Do not leave language ownership or final approval to be resolved during post-production.1

Field tool 01

Deliverables plan

A working record for defining every required output before crew, locations, schedule, and cost are estimated.21

A Field Office deliverables-planning method

Primary film

Format
90 sec · 16:9
Language and text
English · texted · clean version required
Production impact
Primary coverage
Approval owner
Global client lead
Status
Confirmed

Korean subtitle version

Format
90 sec · 16:9
Language and text
Korean subtitles
Production impact
Translation, subtitle layout, and approval
Approval owner
Korea or regional approver
Status
Conditional

Vertical social edit

Format
15 sec · 9:16
Language and text
English · texted
Production impact
Vertical framing and additional coverage decision open
Approval owner
Unassigned
Status
Open

Alternate opening

Format
Not defined
Language and text
Not defined
Production impact
Filming requirement unknown
Approval owner
Unassigned
Status
Open

Deliverables status

End with one production decision

This is a Field Office deliverables-readiness method. The status applies to one defined brief. Change the deliverables and review the production again.

01Ready to schedule
Every required deliverable is listed, production impacts are understood, specification ownership is assigned, and approval routes are confirmed.
02Ready with documented assumptions
The production can proceed using named assumptions that have owners and review dates.
03Hold for deliverable decisions
A required output, version, filming implication, specification, or approval owner remains unresolved.
04Rebuild the scope
The brief does not define the outputs well enough to estimate or schedule the production reliably.

Brief review

An early brief can appear complete while leaving versions, languages, filming requirements, specifications, and approval ownership unresolved. Send the current brief, intended platforms, languages, dates, and known outputs. Field Office can identify the deliverable decisions that should be closed before crew and schedule commitments are made.

Review the production brief

Failure pattern

The late social edit request

The location, crew, and schedule are approved around the primary film. A vertical social edit is added later.

The production then discovers that the intended framing, opening action, graphics space, or clean coverage was not captured.

The new file is not merely an additional export. It requires production material that does not exist.

A late deliverable can become a late filming requirement.

Documentary and observational work

Documentary and observational productions may require a more flexible deliverables plan because the final material cannot be predicted completely before filming.

Even then, record intended platforms, expected frame or aspect ratios, languages, minimum required outputs, essential clean or textless material, and the review and approval route.

Flexibility should be documented. It should not be confused with undefined scope.

Do not build the shoot schedule until

  • Every required deliverable is listed.
  • Each deliverable has an intended use, duration, and frame or aspect ratio.
  • Language, subtitle, caption, translated-text, and clean-version requirements are defined where relevant.
  • Outputs requiring distinct framing, action, sound, graphics space, or coverage are identified.
  • Technical specification ownership is assigned.
  • Feedback and final approval owners are named.
  • Open deliverable assumptions have owners and review dates.
  • The deliverables plan has one clear status: Ready to schedule, Ready with documented assumptions, Hold for deliverable decisions, or Rebuild the scope.

Record

Basis
Field Office deliverables planning method and cited project, industry, and platform guidance
Scope
Deliverables planning for international commercial and editorial video production in Korea
Limitations
The Deliverables Plan, six-step method, worked example, status categories, and failure pattern are Field Office planning methods, not universal industry classifications. Platform and industry guidance does not replace the actual client, broadcaster, post-production, or technical specification. FN 01.07 owns the deeper technical-delivery method.
Published
12 June 2025
Last updated
30 July 2026
Last reviewed
30 July 2026
Revision
Reordered the opening, defined the deliverables method, relocated the six-output worked example, and added scoped source records.

Source record

Source organization
Project Management Institute
Page
Building high quality work breakdown structures using the Practice standard for work breakdown structures, second edition
Official source
PMI work breakdown structure guidance
Access date
Supports
Project scope can be organized through a deliverable oriented decomposition that defines required outcomes before schedule and cost planning.
Limitation
This is general project management guidance. FN 01.01 translates the principle into a Field Office video production method.
Source organization
ScreenSkills
Page
Deliverables producer
Official source
ScreenSkills Deliverables Producer profile
Access date
Supports
Picture, sound, formats, versions, additional materials, testing, scheduling, and final delivery require active coordination.
Limitation
This is industry role guidance. It does not prescribe one universal deliverables package for commercial or editorial production.
Source organization
ScreenSkills
Page
Post-production Supervisor Skills
Official source
ScreenSkills Post-production Supervisor Skills
Access date
Supports
Delivery requirements, post-production workflows, schedules, technical questions, quality control, and final assets require planning, tracking, and communication across departments.
Limitation
This is industry workflow guidance for scripted film and television. The exact responsibilities and deliverables remain production specific.
Source organization
Netflix
Page
Textless Elements Creation and Delivery Guidelines
Official source
Netflix textless elements guidance
Access date
Supports
One platform-specific workflow separately creates and delivers texted, textless, and clean picture elements for defined uses.
Limitation
Netflix guidance is platform specific. It does not establish that every client, platform, or production requires a clean or textless version.
Source organization
YouTube
Page
Video Resolution and Aspect Ratios
Official source
YouTube video resolution and aspect ratios
Access date
Supports
YouTube displays videos according to their frame ratio and adapts its player to individual horizontal, square, or vertical video formats.
Limitation
This is platform-specific display guidance. It does not require a separate edit or unique filming coverage for every frame ratio.
Source organization
YouTube
Page
Recommended Upload Encoding Settings
Official source
YouTube recommended upload encoding settings
Access date
Supports
YouTube publishes platform-specific recommendations for resolution, frame ratio, frame rate, codec, and audio settings.
Limitation
These are YouTube recommendations, not universal production requirements. The responsible technical owner must confirm the actual delivery specification.

Recorded by

Bret Lindquist

Founder and production lead, Field Office Korea

An American producer and performer with more than a decade of working experience across Korean film, television, commercial, and voice production.

Confirm the deliverables before the production is priced and scheduled

Send the current brief, intended platforms, languages, proposed dates, and known outputs. Field Office can identify missing versions, filming implications, approval owners, and deliverable assumptions before the production is built around an incomplete scope.

Review the production plan

Brief · platforms · languages · dates · intended deliverables · current assumptions