Sound and post
Sound and post-production in Korea.
We coordinate postproduction with editors, colourists, sound designers, and facilities selected for the deliverable and turnaround.
Typical projects
- Commercial edits and finishing.
- Documentary long-form post.
- Short-form social edits at scale.
- Multilingual delivery with subtitles or captions.
What we handle
- · Location sound and dialogue recording.
- · Editorial supervision.
- · Colour and finishing.
- · Sound design and mix.
- · Motion graphics and titles.
- · Subtitles and captions.
- · Localization coordination.
- · Delivery in required broadcast and web specifications.
Process
A clear route from brief to delivery.
01
Brief
Deliverables, versions, review rounds and technical specs are agreed.
02
Plan
A post schedule with review milestones is confirmed.
03
Produce
Reviews are supplied through a single point of contact and consolidated back to the post team.
04
Deliver
Masters are supplied against the agreed specification with source and archive expectations confirmed.
Korea considerations
- · Broadcast delivery specifications for Korean and international outlets vary; we confirm both early.
- · Subtitle adaptation is treated as editorial work, not literal translation.
- · Source and archive expectations are confirmed at project start to avoid post-project surprises.
Practical questions
Briefing notes before contact.
- Can post be handed off to an overseas team?
Yes. On-set data can be prepared to an overseas post team's specification and archive expectations.
- Can subtitles be produced in Korean and English?
Yes. Subtitle adaptation is coordinated as editorial work, and reviewed with the client before delivery.
Continue planning
Services and Field Notes for the next production decision.
Tell us what you need to produce in Korea.
Send the dates, locations, deliverables and current stage of the project. We will respond with the questions and next practical steps.
A clear brief is enough to begin.